The Iceman ComethBy: Eugene O'Neill "Spellbinding soaring theater . For reasons that remain mysterious, it seems especially moving today." The New York Times Eugene O'Neill mined the tragedies of his own life for this depiction of a seedy, skid row saloon in 1912, peopled by society's failures: worn out anarchists, failed con artists, drifters, whores, pimps, and informers. The pipe dreaming drunks of Harry Hope's bar numb themselves with rotgut gin and make grandiose
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