Imaging Religion in Film: The Politics of NostalgiaThis book offers a new methodology for examining the ethico political dimensions of religion and film which foregrounds film's social power both to shape subjectivity and to image contemporary social contradictions and analyses three specific films: Kurosawa's Dersu Uzala; Kiarostami's Taste of Cherry; and the Coens' The Man Who Wasn't There . Author: M. Gail Hamner Publisher: Palgrave MacMillan Published: 12 08 2011 Pages: 193 Binding Type: Hardcover
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Imaging Religion in Film: The Politics of Nostalgia