Yellow Music: Media Culture and Colonial Modernity in the Chinese Jazz AgeYellow Music is the first history of the emergence of Chinese popular music and urban media culture in early twentieth century China. Andrew F. Jones focuses on the affinities between "yellow" or "pornographic" music as critics derisively referred to the "decadent" fusion of American jazz, Hollywood film music, and Chinese folk forms and the anticolonial mass music that challenged its commercial and ideological dominance. Jones radically revises