WetTaking aim at the mostly male bastion of art theory and criticism, Mira Schor brings a maverick perspective and provocative voice to the issues of contemporary painting, gender representation, and feminist art. Writing from her dual perspective of a practicing painter and art critic, Schors writing has been widely read over the past fifteen years in Artforum, Art Journal, Heresies, and M E A N I N G, a journal she coedited. Collected here, these