Art, Perception, and RealityIn Art, Perception, and Reality three eminent scholars explore questions relating to the nature of representation in art. Art historian E. H. Gombrich asks how we recognize likeness in portraits or caricatures for instance and concludes that we do so by empathy. Psychologist Julian Hochberg rejects Gombrich's argument, suggesting instead that the expectations aroused in the scanning processes of visual perception account for recognition of likeness.
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