The Bride of Christ Goes to Hell: Metaphor and Embodiment in the Lives of Pious Women, 200-1500The early Christian writer Tertullian first applied the epithet bride of Christ to the uppity virgins of Carthage as a means of enforcing female obedience. Henceforth, the virgin as Christ's spouse was expected to manifest matronly modesty and due submission, hobbling virginity's ancient capacity to destabilize gender roles. In the early Middle Ages, the focus on virginity and the attendant anxiety over its possible loss reinforced the emphasis on
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The Bride of Christ Goes to Hell: Metaphor and Embodiment in the Lives of Pious Women, 200-1500